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#1
Bands / Aw: Royal Republic
Letzter Beitrag von Harzer Baumfäller - Heute um 09:34:10 #2
Bands / Aw: Royal Republic
Letzter Beitrag von Sascha89 - Heute um 09:28:52Zitat von: Harzer Baumfäller am Heute um 09:19:40Bei Royal Republic mag ich ja echt nur ihre Cover von "Ace of Spades", "Fear of the Dark" und "Battery", die alle großartig und vorallem sehr Original klingen. Das eigene Zeug, wie auch das, finde ich ja echt fürchterlich.
Die gibt's aber nur live auf Konzerten zu hören, oder?
#3
Bands / Aw: Royal Republic
Letzter Beitrag von Harzer Baumfäller - Heute um 09:19:40Bei Royal Republic mag ich ja echt nur ihre Cover von "Ace of Spades", "Fear of the Dark" und "Battery", die alle großartig und vorallem sehr Original klingen. Das eigene Zeug, wie auch das, finde ich ja echt fürchterlich.
#4
Bands / Aw: Feine Sahne Fischfilet
Letzter Beitrag von Sascha89 - Heute um 09:16:43Ob wir hin können/wollen ist noch nicht ganz sicher, aber zwei Tickets für Saarbrücken (Innenraum) sind gekauft.
Bei TixforGigs waren diese je 2,50 EUR günstiger als bei Eventim.
Bei TixforGigs waren diese je 2,50 EUR günstiger als bei Eventim.
#7
Bands / Aw: Feine Sahne Fischfilet
Letzter Beitrag von Harzer Baumfäller - Heute um 09:06:17Ticket für Hannover gesichert 
#8
Bands / Aw: Beatsteaks
Letzter Beitrag von Inkognito - Heute um 08:48:17Ich wünsche mir Different Ways. Das könnte auch der Opener sein, oder Unminded (1. Album/1. Song) so hatten früher öfters mal angefangen.
Ansonsten gerne viel/alles von der 48/49 und Launched.
Ansonsten gerne viel/alles von der 48/49 und Launched.
#9
Bands / Aw: Beatsteaks
Letzter Beitrag von Pierrot the clown - Heute um 08:28:07Ich habe kurzfristig für heute und morgen je ein Innenraum-Ticket abzugeben. Am liebsten beide zusammen. Bei Interesse einfach per PM melden.
#10
Bands / Aw: Machine Head
Letzter Beitrag von Sascha89 - Heute um 07:57:42ZitatSCØRN"... a dissertation
DestroyerOfHarmony has written a provocative essay on the song "SCØRN" from our latest album "UNATØNED".
What are your thoughts?
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Dom Lawson, in Metal Hammer, called it "ostensibly a dark, crestfallen ballad" that builds through synth-drenched haze and emotional swells before erupting in a syncopated, spine-tingling finale.
He's not wrong.
In fact, "Scorn" might be the most hauntingly beautiful track Robb Flynn has ever penned.
Machine Head is no stranger to monumental album closers, think "The Burning Red," "Descend the Shades of Night," "A Farewell to Arms," "Who We Are," or "Arrows in Words from the Sky."
Now, add "Scorn" to that list, lifted from their new record "Unatoned" a fitting name for what feels like both an indictment and a lament.
The opening verse says it all:
"I'm putting you under my spell / 'Cause I've got a Bible to sell
Let go your convictions, restrictions will cost you / Your fiction and all that is well
Distrust all the fable they sell..."
This isn't subtle. It's manipulation disguised as salvation. The "Bible to sell" is a loaded metaphor, suggesting the commodification of belief, the weaponization of faith. Convictions and moral boundaries are liabilities here, illusions sold to the weak, while the puppeteers profit.
"I look to the sky / As it won't be the first / And it won't be the worst
'Cause there's still yet to come / With a nation undone by their Scorn"
Hope?
Maybe.
But not without cynicism. The sky becomes a metaphorical void, once a symbol of transcendence, now indifferent or complicit. The "nation undone" is a clear nod to societal collapse, a warning about the corrosion eating away at public trust, autonomy, and truth.
The chorus drives the point home with venom:
"Scorn / Paranoia seeps through every pore
Scorn / Envenomated eyes emit their scorn"
Yes, "envenomated."
A rare, brutal word choice. It means poisoned. But more than that, it implies a kind of psychological venom, gazes that don't just judge but infect. Surveillance becomes psychotropic. The "eyes" don't just watch; they erode.
"The eye in the sky never rests
Watching to form our arrest
They're chasing us out of our nests
Keeping tabs as they play us like masters of chess..."
There's Orwell here, but also something more, this is modern paranoia woven through algorithmic control, deep-state tactics, and manufactured chaos. The image of being driven from nests evokes exile from comfort, from truth, from home.
"I look to the sky / As they give us new rifles / To stifle our words
With a Bible and bulletproof vests / As we suffer their Scorn..."
Weaponized religion. Militarized faith. Truth gets smothered in the name of protection. Resistance becomes treason. Free thought becomes a target.
Thematically, "Scorn" stands shoulder-to-shoulder with:
– Rage Against the Machine's political fire
– Pink Floyd's "The Wall" and its suffocating institutional critique
– Dylan's "Highway 61 Revisited", where biblical imagery twists through cultural critique
– Metallica's "...And Justice for All", where justice is just another rigged game
But "Scorn" isn't derivative, it's a culmination. It distills our present-day fears: media manipulation, mass surveillance, the erosion of belief systems, and a creeping spiritual void. It's a bitter elegy dressed as an anthem.
You don't just listen to "Scorn". You endure it, absorb it, and then see the world a little more clearly and perhaps a little more grimly.
Quelle: Machine Head Newsletter 13.06.2025